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(b. 1972, lives in Los Angeles, CA)                       



1998     MFA, University of California, Los Angeles, CA

1994     BFA, The School of the Art Institute of Chicago, Chicago, IL



2012     MARC FOXX, Los Angeles, CA

2011     Tanya Bonakdar Gallery, New York, NY

2010     St. Francis, Marc Foxx, Los Angeles, CA

2008     Shane Campbell Gallery, Chicago, IL

     Marc Foxx, Los Angeles, CA

2007     Corvi-Mora, London, UK

     Tanya Bonakdar Gallery, New York, NY

2006     Life on Mars, Marc Foxx, Los Angeles, CA

     Spatio Virtuo Teatro, South Coast Repertory, Costa Mesa, CA

2005     Light Year/Clear Spot, Tanya Bonakdar Gallery, New York, NY

     The Polydistortion Remix, Shane Campbell Gallery, Oak Park, IL

2004     Corvi-Mora, London, UK

2003     Order in the Court, Marc Foxx, Los Angeles, CA

     Disconnect Notice, Corvi-Mora, London, UK

     Storybook Medicine Levels, Els Hanappe Underground, Athens, Greece

2002     Animal Eyes, Tanya Bonakdar Gallery, New York, NY

     Studio Guenzani, Milan, Italy

     Marc Foxx, Los Angeles, CA

2001     Tanya Bonakdar Gallery, New York, NY

     Corvi-Mora, London, UK

2000     Marc Foxx, Los Angeles, CA

     Studio Guenzani, Milan, Italy

1997     ROOM 702, Los Angeles, CA



2015     Small Sculpture, Shane Campbell Gallery, Chicago, IL

2014     MARC FOXX, Los Angeles, CA

2013     Illuminations, curated by Matthew Higgs, Richard Telles Fine Art, Los Angeles, CA

2012     Venice Beach Biennial, Venice Beach, CA 

               Alexander Calder and Contemporary Art: Form, Balance, Joy, Nasher Museum of Art at Duke University, NC

2011     Gallery Artists, Marc Foxx, Los Angeles, CA

2010     Huckleberry Finn, CCA Wattis Institute for Contemporary Arts, San Francisco, CA

     This and That II, Corvi-Mora, London, UK

     Alexander Calder and Contemporary Art: Form, Balance, Joy, Museum of Contemporary Art, Chicago, IL

     This and That I, Corvi-Mora, London, UK

2009     Marc Foxx, Los Angeles, CA

     Art by the Sea, Beaufort 03, De Panne, Belgium

     Second Nature: The Valentine-Adelson Collection at the Hammer, Hammer Museum, Los Angeles, CA

     Pruesspress, Ritter/Zamet, London
     Don\'t Perish, Leo Koenig, New York

     Construct and Dissolve: works on paper by artists from Los Angeles, Galerie Sabine Knust, Munich California

     Maximalism, Nyehaus, New York, NY

2008     An Unruly History of the Readymade, Fundacion/Coleccion Jumex, Mexico City, Mexico

     Legende, Centre d’Art Contemporain, Charamande, France

     Run, Run, Collins Gallery, Glasgow, UK

     Globetrotters, 410 Cottage Home, Los Angeles, CA

     The Object Is the Mirror Part II, Wilkinson, London, UK

     Glasgow International Festival, Collins Gallery, Strathclyde University, Glasgow, UK

     Karen Lovegrove Salon, Los Angeles, CA

     Marc Camille Chaimowicz: In the Cherished Company of Others…, De Appel, Amsterdam, Netherlands

     Meet Me Around the Corner, Astrup Fearnley Museum of Modern Art, Oslo, Norway           

2007     L.A. Bodies: Figuration in Sculpture, Angles Gallery, Santa Monica, CA

     Western Lands, The Balmoral, Venice, CA

     Warhol and…, Kantor/Feuer Gallery, Los Angeles, CA

     The Object Is the Mirror, Layr Wustenhagen Contemporary, Vienna, Austria

     Sublime: Experiences and Perceptions in Contemporary Sculpture, Pilar Parra & Romero, Madrid, Spain

     Sculptors’ Drawings, Angles Gallery, Los Angeles, CA

     Designomite, Black Dragon Society, Los Angeles, CA

     Personal Belongings – Contemporary Sculpture from Los Angeles, Galerie Sabine Kunst, Munich, Germany

     Fit for Print, Gagosian Gallery, New York, NY

     Works on Paper, Cirrus Gallery, Los Angeles, CA

     Eight Sculptors from Los Angeles, Sabine Knust, Munich

2006     The Female Machine, Sister, Los Angeles, CA

     Red Eye: Los Angeles Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL

     The View from Here: Acquisitions since 2000, Tate Modern, London, UK           

2005     ETC, Le Consortium, Dijon, France

     Sculpture New Spirit, Galerie Nathalie Obadia, Paris, France

     Configured, Tanya Bonakdar Gallery, New York, NY

     The Disillusion of Illusion, Curated by Shane Campbell, Paul Mesaros Gallery, West Virginia University,

     Morgantown, WV

     Sculptures D’Appartement, Musée Départemental d’art Contemporain, Rochechouart, France

     Monuments for the USA, California College of Arts Wattis Institute for the Arts, San Francisco, CA

     Culturecounter, Gavin Brown’s Enterprise at Passerby, New York, NY

2004     Expander, Royal Academy of Arts, 6 Burlington Gardens, London, UK

     The Thought that Counts, Sister Gallery, Los Angeles, CA

     I, Assassin, Curated by Slater Bradley, Wallspace, New York, NY           

2003     Painting on Sculpture, Tanya Bonakdar Gallery, New York, NY

2002     Collectors Program: Sammlung Köhn, Krinzinger Projekte, Wien, Austria

     Officina America, Villa Delle Rose, Bologna, Italy

     Youngsters, Krinzinger Projekte, Vienna, Austria

     Summer Show, Tanya Bonakdar Gallery, New York

     Now is the Time, Dorsky Gallery, New York, NY

     Marc Foxx, Los Angeles, CA

2001     Off the Wall, Gallery 400, University of Illinois at Chicago, Chicago, IL

     Marc Foxx, Los Angeles, CA

     Tanya Bonakdar Gallery, New York

     Brown, The Approach, London, UK

     Locating Drawing, Lawing Gallery, Houston, TX

     Mise en Scene, CCAC, San Francisco, CA

2000     Mise en Scene, Santa Monica Museum of Art, Santa Monica, CA

     Corvi-Mora, London, UK

     TRI-ANNUALE (Part 3): Pinwheel, Los Angeles Contemporary Art Exhibitions, Los Angeles, CA

1999     Opere Su Carta, Studio Guenzani, Milan, Italy

               Monika Sprüth, Köln, Germany

               Philomene Magers Projekte, Munich, Germany

               Caught, 303 Gallery, New York, NY

               Down to Earth, Marianne Boesky Gallery, New York, NY

               DRIVE BY, South London Gallery, London, UK

1998     mengenbüro, Neuer Aachener Kunstverein, Aachen, Germany

     Brighten the Corners, Marianne Boesky Gallery, New York, NY

     Local Heroes, Beyond Baroque, Los Angeles, CA

     Low, Marc Foxx, Los Angeles, CA

     Jason Meadows/Jorge Pardo, Brent Petersen, Los Angeles, CA

1997     Malibu Sex Party, PURPLE, Los Angeles, CA

     New Langton Arts 13th Annual Artists' Auction, New Langton Arts, San Francisco, CA

1996     The Group show, Traveling Exhibition: CAL ARTS, University of Southern California and Huntington Beach Art

               Center Custom Complex, Helen Lindhurst Gallery, Los Angeles, CA

 1995    Some of you who are now reading these words will journey out into that sea of dead ships, missing planes, doomed

               men, and destroyed hopes and vanish...forever lost, New Works Gallery, Chicago, IL

1994     The Pilsen Shows, White Horse Gallery, Chicago, IL

     B.F.A. Thesis Exhibition, The School of the Art Institute of Chicago, Chicago, IL

     First Degree Exhibition, Betty Rymer Gallery, Chicago, IL

     Eye Fiction/Non Fiction, Gallery 2, Chicago, IL

1993     Areas Student Exhibition, Gallery 954, Chicago, IL



2010     Warren, Lynne. “Alexander Calder and Contemporary Art: Form Balance Joy.” Museum of Contemporary Art,

               Chicago, 2010

2008     Yoon, James. “Jason Meadows: Shane Campbell Gallery.” Artforum, December 2008: pp. 307.

     Kennedy, Alexander. “The Art of Science.” The List 600, 2008.

2007     Baran, Jessica. “Frame Narrative.” The Village Voice, May 22, 2007: Arts section.

     Taft, Catherine. “Globetrotters.” Art Review, April 2007: pp. 137.

     Turvey, Lisa. “Jason Meadows: Tanya Bonakdar Gallery.” August 2007: pp. 469-470.

2006     Rochette, Anne and Wade Saunders. “Place Matters: Los Angeles Sculpture Today.” Art in America November


     Hainley, Bruce. “Jason Meadows.” Artforum May 2006: pp. 297

     Campagnola, Sonia. "Focus Los Angeles." Flash Art, January-February 2006: pp. 72.

2005     Sholis, Brian. "Jason Meadows." Artforum.com, March 2005.

     Mulholland, Neil. "Expander." Frieze 88 (2005): 2005: pp. 125.

     Miles, Christopher. “State of the Art ’05,” LA Weekly, October 28 – November 3, 2005.

     “Monuments for the USA”, CCA Wattis Institute for Contemporary Arts, exhibition catalogue, 2005: pp. 97-97. 

     “American Patrons of Tate.” TATE Modern Annual Report, acquisitions catalogue, 2005:  pp. 216-217. 

     Henry, Max. “Culturecounter: GBE at Passerby, through Sat 26”, Time Out New York, March 24 – 30, 2005: pp. 53.
     Shollis, Brian. “Critics Picks”, Artforum.com, March 2005.

2004     Nelson, Arty. “Sister show puts sculpture on a pedestal,” LA WEEKL,. July 2–8, 2004.

     Higgs, Matthew. "Best of 2004." Artforum XLIII, No. 4, 2004: pp. 156-157.

     Dykstra, Jean. "Painting on Sculpture." Art Review, March 2004: pp. 102.

2003     O’Shea, Catharine. “Jason Meadows: Disconnect Notice.” What’s On, July 9-16, 2003.

     Hainley, Bruce. “Jason Meadows.” Artforum XLI, No. 6 (2003): pp. 145.

2002     Pagel, David. “When a Pack Rat Gets Creative.” Los Angeles Times, November 8, 2002, Arts section.

     Charlesworth, J.J. “Sign and Substance in Recent Sculpture.” Artext 78 (2002): pp. 36-43.

     Mullins, Charlotte. “West to East and Back.” The Royal Academy Magazine 76 (2002): pp. 47.

     Kerr, Merrily. “Jason Meadows.” Flash Art International July-September (2002): pp. 117.

     Cotter, Holland. \"\'Now is the Time,\'\" The New York Times, March 1, 2002.

     Valdez, Sarah. “Jason Meadows.” Time Out New York, May 23-30, 2002.

2001     Wilson, Michael. “Jason Meadows.” Frieze 16, 2001: pp. 91.

     Farquharson, Alex. Art Monthly May (2001): pp. 33-35.

     Bonetti, David. “Bay City Best: Top Picks for the Coming Week.” San Francisco Chronicle, January 28, 2001: 

     Arts section.

     Baker, Kenneth. “Just Look at the Sculpture and There Is Los Angeles.” San Francisco Chronicle, January 27,

     2001: Arts section.

2000     Blackwell, Josh. “MISE EN SCENE; New LA Sculpture.” Art Issues, September/October 2000: pp. 56.

     Knight, Christopher. “Jason Meadows, Marc Foxx, Los Angeles.” Art Issues September/October 2000: pp. 47.

     Knight, Christopher. “A Web of Illusion.” Los Angeles Times, June 28, 2000: Arts section.

     Hainley, Bruce. “Towards a Funner Lacoon”, Artforum, Summer 2000: pp. 166-173.

     Pagel, David. Los Angeles Times, May 5, 2000: Arts section.

     Ebner, Jörn. Frankfurter Allgemeine Zeitung, April 8, 2000: Arts section.

1999     Melrod, George. “Young at Art.” Los Angeles Magazine, November 1999.

     Farquharson, Alex. “Drive-By: New Art from LA.” Frieze 48, 1999.

     Schwabsky, Barry. “Suddenly This Summer.” Art in America, October 1999.

     Holloway, Evan and Jason Meadows. “Object Lesson.” Cakewalk 3, 1999: pp. 6.

1998     Cooper, Dennis. “Openings.” Artforum, May 1998: pp. 136.

     Turner, Grady. “Brighten the Corners: Five Artists from Los Angeles.” NY Arts, May 1998.

     Smith, Roberta. “Brighten the Corners: Five Artists from Los Angeles.” New York Times, April 24, 1998: Arts


     Ise, Claudine. “Finding New Uses for Household Items.” L.A Times, April 11, 1998: Arts section.

     “A Portfolio of Los Angeles Artists.” Zyzzyva, Spring 1998: pp. 133.

     Spaid, Sue. “L.A Undercover.” Art Papers, March-April 1998: pp. 14.

     Spaid, Sue. “Cross Town Traffic.” L.A. Weekly, March 6-12, 1998: pp. Arts section.

     Hainley, Bruce. “Malibu Sex Party / Purple.” Artforum, February 1998: pp. 98.

     Muchnic, Suzanne. “Bye-Bye Baby Bergamot; Hello, Wilshire.” Los Angeles Times Calendar, January 11, 1998.

1997     Goff, Robert. “Culture Comes to Hollywood.” Forbes, December 1, 1997.

1995     Faultline: Journal of Art and Literature IV, 1995.



Kodak Professional Imaging Scholarship

Merit Scholarship, The School of the Art Institute of Chicago



The Hammer Museum, Los Angeles

Laguna Art Museum, Laguna Beach, CA

Los Angeles County Museum of Art

Museum of Contemporary Art, Los Angeles

Museum of Modern Art, New York

Tate Modern, London