JOANNE GREENBAUM

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JOANNE GREENBAUM

(b. 1954, lives in New York, NY)                 

 

EDUCATION

1975     BA, Bard College, Annandale-on-Hudson, New York, NY

 

SOLO EXHIBITIONS

2014     Texas Gallery, Houston, TX

      Rachel Uffner Gallery, New York, NY

      Dysmorphia, Galerie Crone, Berlin, Germany

2013     greengrassi, London, UK

     Sidewalk Prison, Van Horn Gallery, Dusseldorf, Germany

2012     Shane Campbell Gallery, Chicago, IL

     Nicolas Krupp, Basel, Switzerland

2011     1612, D’Amelio Terras, New York, NY

2010     Drawings, Rupert Goldsworthy, Berlin, Germany

     Random Returns, Schürmann Collection Berlin-Mitte, Berlin, Germany

     Dirt Bag, CCA Andratx, Majorca, Spain

2009     Hollywood Squares, D’Amelio Terras, New York, NY

               Cologne Art Fair, Cologne, Germany

2008     Baloise Art Forum, Basel Switzerland

     Nicolas Krupp, Basel, Switzerland

     greengrassi, London, UK

     Museum Abteiberg, Monchengladbach, Germany

     Haus Konstruktiv, Zurich, Switzerland

2007     The Chinati Foundation, Marfa, TX

     Shane Campbell Gallery, Chicago, IL

2006     D’Amelio Terras Gallery, New York, NY

     Patrick de Brock, Knokke, Belgium

2005     Aurobora Press, San Francisco, CA

     Nicolas Krupp, Basel, Switzerland

     greengrassi, London, UK

2004     boom/Shane Campbell, Oak Park, IL

2003     D'Amelio Terras, New York, NY

     KS Art, New York, NY

2002     Numark Gallery, Washington, D.C.

2001     Nicolas Krupp Gallery, Basel, Switzerland

     D'Amelio Terras, New York, NY

1999     greengrassi, London, UK

1998     D'Amelio Terras, New York, NY

1997     D'Amelio Terras, New York, NY

1996     Arena Gallery, Brooklyn, NY

1983     Small Walls Gallery, New York, NY

 

SELECTED GROUP EXHIBITIONS

2015     Rock Hound Swap Meet, Junior Projects, New York, NY 

               One Foot on the Ground, James Harris Gallery, Seattle, WA

               Be Abstract, L’Oiseau Présente, Berlin, Germany

               A Drawing Show, Nicolas Krupp, Basel, Switzerland

     Group Show, curated by Adam Welch, Greenwich House Pottery, New York, NY

     Pure Paint for Now People, Shaw Gallery, Weber State University, Ogden, UT

     The Painter of Modern Life, curated by Bob Nickas, Anton Kern Gallery, New York, NY

     Joanne Greenbaum / Jean-Baptiste Bernadet, Michael Jon Gallery, Miami, FL

     Small Sculpture, Shane Campbell Gallery, Chicago, IL

     Vessels, Blackston, New York, NY

     Joanne Greenbaum & Polly Apfelbaum, Halsey Mckay Gallery, East Hampton, NY

     Group Exhibition, Richard Telles Fine Art, Los Angeles, CA

2014     Shakti, Brand New Gallery, Milan, Italy

     The Invitational Exhibition of Visual Arts, The American Academy of Arts and Letters, New York, NY

     This One’s Optimistic: Pincushion, curated by Cary Smith, New Britain Museum of American Art, New Britain, CT

     East Side to the West Side, Flag Art Foundation, New York, NY

     If A Spider Falls From A Window, Does it Break?, curated by Adrianne Rubenstein, Brennan & Griffin, New York

2013     Solid Pull, TSA, Brooklyn

     Jew York, Zach Feuer Gallery/UNTITLED, New York

     Work, organized by Sara Greenberger Rafferty, Klaus von Nichtssagend Gallery, New York

     Polychrome Fiction - Joanne Greenbaum and Jackie Saccoccio, Nerman Museum of    Contemporary Art,

     Overland Park, KS

     Extreme Drawing - Ballpoint Pen Drawing Since 1950, Aldrich Contemporary Art Museum,   Ridgefield, CT

     Lines & Spaces, curated by John Yau, University of Hartford Joseloff Gallery, West Hartford, CT

     Monika Grzymala & Joanne Greenbaum, Crone Gallery, Berlin, Germany

2012     The Excluded Middle, curated by Jamillah James, Nudashank, Baltimore, NY

     UP DO, Jeff Bailey Gallery, New York, NY

     Mythografia, Bull and Ram Gallery, New York, NY

     Broken/Window/Plane, curated by John Yau, Tracey Williams, New York, NY

     Tops, curated by Sun You, President Clinton Projects, Brooklyn, NY

     Special Blend, curated by Christ Martin and Tamara Gonzales, Journal Gallery, Brooklyn, NY

     Around the Corner – Four Painters Living in Tribeca: Hermine Ford, Joanne Greenbaum, Paul Pagk, Gary Stephan,

     curated by Lucien Terras, 143 Reade Street, New York, NY

2011     A Supposedly Fun Thing I’ll Never Do Again, Horton Gallery, Berlin, Germany

     Magic Hand!, Art Blog Art Blog, curated by Joshua Abelow, New York, NY

     The Acquisition Selection 2011, The Art Institute of Chicago, Chicago, IL

     Affinities: Painting in Abstraction, curated by Kate McNamara, D’Amelio Terras, New York, NY

     New Prints 2011/Summer, International Print Center of New York, New York, NY

     A Painting Show, Harris Liberman, New York, NY

     Cries and Whispers, Sam Lee Gallery, Los Angeles, C

     Vollendet das ewige Werk, Sammlung Rheingold at Schloss Dyck, Jüchen, Germany

2010     Drawing, Shane Campbell Gallery, Chicago, IL

     The Jewel Thief, The Tang Museum, Skidmore College, Saratoga Springs, NY

     Emerging Images: The Creative Process in Prints, Intermational Print Center New York, New York, NY

     complete concrete, Haus Konstruktiv, Zurich, Switzerland

     Lush Life – Whistle, Sue Scott Gallery, New York, NY

     40, Texas Gallery, Houston, TX

     Compilation, Bernhard Knaus Fine Art, Frankfurt, Germany

     Skidmore College, Saratoga Springs, NY

2009     Das Gespinst, Museum Abteilberg, Mönchengladbach, Germany

     Flugversuch mit Spurenkammer, Galerie Kienzle & Gmeiner, Berlin, Germany

     Rupert Goldsworthy Gallery, Berlin, Germany

     Women in Print, Susan Sheehan Gallery, New York, NY

2008     Project For a New American Century, Rose Art Museum, Waltham, MA

     Under the Influence, Girl’s Club, Miami, FL

     New York Group Show, Seiler + Mosseri-Marlio Galerie, Zurich, Switzerland

     Gray, Dinter Fine Art, New York, NY

     Scala Pardisi, Schuermann-berlin, Berlin, Germany

     Object Salon, Honey Space, New York, NY

     Abstract America: New Paintings from the U.S., the Saatchi Gallery, London, UK

2007     Ashtray, KS Art, New York, NY

     Ceramics:  Joanne Greenbaum, Jessica Jackson Hutchins, Scott Reeder, Tyson Reeder, Shane Campbell Gallery,

     Oak Park, IL

     The Triumph of Painting, The Saatchi Gallery, London, UK

     The Painting Show – Slipping Abstraction, Mead Gallery, University of Warwick, Coventry, UK

     Poets on Painters, Ulrich Museum of Art, Wichita, KS

2006     Two Friends and So On, Andrew Kreps Gallery, New York, NY

      Drawing from the Wrong Side of the Brain, Haim Chanin Fine Arts, New York, NY

      Space Between the Spokes, KS Art, New York, NY

2005     The Painted World, PS1 Contemporary Art Center, Long Island City, New York

     Mud, Dinter Fine Art, New York, NY

     Drawn Out, Gallery 400, College of Architecture and the Arts, University of Illinois at Chicago, Chicago, IL

     Glimpse, Mixed Greens, New York

     The Generals Jamboree, Guild and Greyshkul, New York, NY

     One Armed Bandit, D’Amelio Terras, New York, NY

     In Deep Water, Dinter Fine Art, New York, NY

2004     Abstraction with a Twist, Elga Wimmer, New York, NY

     New Prints, Winter 2004, International Print Center, New York, NY  

     Architecture Untethered, Numark Gallery, Washington, D.C.

     Curious Crystals of Unusual Purity, Curated by Bob Nickas and Steve Lafreniere, P.S.1 Contemporary Art Center,

     Long Island City, NY

     Dessins et des Autres. Galerie Anne de Villepoix, Paris, France

     Dessins et des Autres, Galerie Catherine Bastide, Brussels, Belgium

2003     Ballpoint Inklings, K.S. Art, New York, NY

     Stay Positive!, Marella Arte Contemporanea, Milan, Italy

     Signs, Lines, and Codes, Galerie Anne de Villepoix, Paris, France

     Sculpture: A Matter of Hard and Soft, Curated by Anne Ellegood and Rachel Gugelberger, Clemente Soto Velez

     Center, New York, NY

     New Prints, International Print Center of New York, New York, NY

     Skowhegan Faculty Exhibition, Curated by Mark Bessire, Institute of Contemporary Art, Portland, ME

     Crossings: Artists and Curatorial Practices, Curated by Anne Ellegood, Artists Alliance, Inc., New York, NY

2002     Keine Kleinigkeit, Kunsthalle Basel, Basel, Switzerland

2001     Ballpoint Inklings, Geoffrey Young Gallery, Great Barrington, MA

     Joanne Greenbaum and Mary Heilman, greengrassi, London, UK

2000     Warped: Painting and the Feminine, Angel Row Gallery, Middlesborough Art Gallery, Rugby Art Gallery, UK

     Bad Touch, Lump Gallery Projects, Raleigh, NC

     Paintings from the Ophiuchus Collection, The Hydra Workshop, Hydra, Greece

     Points, Lines, Planes, Galerie des Filles du Calvaire, Paris, France

     Accumulations, Kent State University School of Art, Kent, OH

     Mapping, territory, connexions, Anne de Villepoix, Paris, France

     Summer group show, D'Amelio Terras, New York, NY

     Painting Function: Making it Real, SPACES, Cleveland, OH

     Joanne Greenbaum, Charlene von Heyl, and Amy Sillman, James Van Damme Gallery, Brussels, Belgium

     Examining Pictures, Curated by Francesco Bonami and Judith Nesbit, Armand Hammer Museum, UCLA, Los
     
     Angeles, CA

1999     Examining Pictures, Curated by Francesco Bonami and Judith Nesbitt, Museum of Contemporary Art, Chicago,IL

     After-Image, Kunsthalle Basel, Switzerland

     Exit Art, Curated by Elizabeth Murray, New York, NY

     Examining Pictures, Curated by Francesco Bonami and Judith Nesbitt, Whitechapel Art Gallery, London, UK

     Women and Geometric Abstraction, Pratt Institute, New York, NY

1998     Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, New York, NY

     Painting: Now and Forever, Matthew Marks Gallery, New York, NY

     Exploiting the Abstract, Feigen Contemporary, New York, NY

1996     Explosion in a Tool Factory, Hovel, New York, NY

     Un Oeil Americain. Galerie le Carre, Lilles, France

     The Art Exchange Show, Arena Gallery, New York, NY

1995     Wacko, The Workspace Gallery, New York, NY

     Other Rooms, Ronald Feldman Gallery, New York, NY

     Natural, Arena Gallery, New York, NY

     Jane Fine, Joanne Greenbaum, John Paul Philippe, Arena Gallery, New York, NY

     Pleasant Pebble, The Workspace Gallery, New York, NY

     Wet on Wet, Curated by Amanda Trager, Four Walls, New York, NY

     That Enigmatic Object of Desire, E.S. Vandam, New York, NY

1994     The Pleasure Principle, Kohn, Peterson and Fox, New York, NY

     New York Abstract Painting, Salvatore Ala Gallery, New York, NY

1992     Vibology, Curated by Bill Arning, White Columns, New York, NY

1990     Drawings, Paula Allan Gallery, New York, NY

1987     Well Cultivated Gardens, Art in General, New York, NY

1986     Hudson Gallery, New York, NY

     Drawings, Ted Greenwald Gallery, New York, NY

1985     Hudson Gallery, New York, NY

1983     Small Walls Gallery, New York, NY

 

SELECTED BIBLIOGRAPHY

2014     Johnson, Ken. "Pluralism, WIth Bug Zappers and Doll People." The New York Times, April 2014. April 3, 2014.

     Yau, John. "Joanne Greenbaum's Beautiful Monsters." Hyperallergic, April 6, 2014.

     Plagens, Peter. "Art Works by Katie Armstrong, Joanne Greenbaum and Brad Kahlamer." The Wall Street Journal,

     April 11, 2014.

     Greenbaum, Joanne. “Verbatim: Joanne Greenbaum.” Art in America, April 14, 2014.           

     Rabarison, Karolle. “The Internet Is So Loud: Joanne Greenbaum.” The Morning News, April 21, 2014.

     Waltemath, Joan. “Joanne Greenbaum: Hallowed Laughter in a Hall of Mirrors.” The Brooklyn Rail.

     Smith, Roberta. "The Paintbrush in the Digital Era." The New York Times, December 11, 2014.

2013     Johnson, Ken. "Pluralism, WIth Bug Zappers and Doll People." The New York Times, April 2014. April 3, 2014.

     Yau, John. "Joanne Greenbaum's Beautiful Monsters." Hyperallergic, April 6, 2014.

     Plagens, Peter. "Art Works by Katie Armstrong, Joanne Greenbaum and Brad Kahlamer." The Wall Street Journal,

     April 11, 2014.

     Greenbaum, Joanne. “Verbatim: Joanne Greenbaum.” Art in America, April 14, 2014.           

     Rabarison, Karolle. “The Internet Is So Loud: Joanne Greenbaum.” The Morning News, April 21, 2014.

     Waltemath, Joan. “Joanne Greenbaum: Hallowed Laughter in a Hall of Mirrors.” The Brooklyn Rail.{C}{C}{C}{C}

2012     Rhodes, David. “Joanne Greenbaum.” Artforum.com, October 2012.

     Fitzgerald, Ali. “Lives and Works in Berlin: Portrait of Joanne Greenbaum in Berlin.” Art21 blog, September 6, 2012.

     Yau, John. “Studio Visit with an Artist Who Is No Longer a Secret Ceramicist.” Hyperallergic, July 1, 2012.

2011     Yau, John. “Joanne Greenbaum 1612.” The Brooklyn Rail, November 2011.

2010     Cotter, Holland. “Lower East Side Tale, Refracted Nine Times.” The New York Times, July 9, 2010: C21.

     Schwabsky, Barry. “The Resistance of Painting.” The Nation, January 4, 2010, pp. 34.

     Nickas, Bob. “Painting Abstraction: New Elements in Abstract Painting.” Phaidon Press, London: p. 122-125.

     “Color System” and “Against Ekphrasis." 1913 Press, Issue 3: pp. 167-172

     “Joanne Greenbaum: A Portfolio and a Chat with Eddie Martinez and Dan Nadel.” The Ganzfeld, Issue no. 7:

     pp.180-193.

     Meister, Helga. “Joanne Greenbaum: Museum Abteiberg, Monchengladbach.” Kunstforum International,

     July/August 2008: pp. 302-303.

2009     Maine, Stephen. “Joanne Greenbaum and Elliott Green.” Art in America, November 2009.

     Smith, Roberta. “Art in Review.” The New York Times, September 18, 2009.

     Carlin, T.J. “Joanne Greenbaum.” Time Out New York, September 2, 2009.

2008     Seyfarth, Ludwig. “Basler Galerien Wahrend der Art 39 Basel.” Artnet Magazine, June 4, 2008.

     Muller, Dominikus. “Scala Paradisi.” Bei Shurmann Berlin, Artnet Magazine, March 20, 2008.

2007     Rexer, Lyle. "Joanne Greenbaum." Parkett, Issue 80, October 2007: pp. 6-9.

     McKinnon, John. “Critics’ Picks: Joanne Greenbaum.” Artforum.com, June 2007.

2006     “Review of Paintings, D’Amelio Terras.” New Yorker, December 4-11, 2006.

     Tikhonova, Yulia. “Drawing on the Wrong Side of the Brain.” NYArts Magazine, 2006.

     “Drawing on the Wrong Side of the Brain.” Art on Paper, 2006: pp. 91-92.

     Smith, Roberta. “Critics Notebook.” New York Times, July 28, 2006: Arts section.

2005     Krupp, Nicolas. “Joanne Greenbaum.” Basler Zeitung, Versch(r)obene Architektur, May 21, 2005.

     “Review of Mud, Dinter Fine Art.” New York Times, September 23, 2005: Arts section.

     “Review of One Armed Bandit, D'Amelio Terras Gallery.” New York Times, January 21, 2005: Arts section.

2004     “New Prints Review.” Art on Paper, November/December 2004.

     Grabner, Michelle. “Joanne Greenbaum at Boom.” Flash Art, July/September 2004: pp. 116-117.

     Church, Amanda. “Colored Pencil.” Art on Paper, July/August 2004: pp. 52.

     Fyfe, Joe. Art on Paper, January/February 2004.

2003     Dannatt, Adrian. Art Newspaper 140 2003.

     Schambelan, Elizabeth. “Critics’ Picks: Joanne Greenbaum.” Artforum.com, October 2003.

     “Working Proof: Print Reviews.” Art on Paper, March 2003: pp. 61.

2002     de Chassey, Eric. “Joanne Greenbaum.” In Vitamin P: New Perspectives in Painting, edited by Barry Schwabsky. 

     NewYork: Phaidon Press, 2002.

     Utter, Douglas Max. “Review of Accumulations.” New Art Examiner, March 2002.

     Rexer, Lyle. “Joanne Greenbaum at D'Amelio Terras.” Art in America, January 2002: pp. 106-107.

2001     “Artists Interview.” Zoo Magazine 10, 2001: pp. 279.

     “Construction Sites.” New York Magazine, April 23, 2001.

     Johnson, Ken. “Joanne Greenbaum at D'Amelio Terras.” New York Times, April 20, 2001: Arts section.

     “Joanne Greenbaum at D'Amelio Terras.” Village Voice, April 17, 2001: Arts section.

     “Adrian Dannatt's Guide to New York Contemporary Galleries.” Art Newspaper, April 2001.

2000     Cotter, Holland. “Art in Review: Lori Taschler, Jeanne Tremel, Angela Wyman.” New York Times, May 12, 2000: 

     SectionE36.

     Curiger, Bice. Fresh Cream: Contemporary Art in Culture. New York: Phaidon Press, 2000.

     Heilman, Mary. “Joanne Greenbaum.” Bomb Magazine, Spring 2000: pp. 103-105.

     Vivre Libre ou Mourir, Les Presses du Reel, 2000: pp. 124-125.

1999     Nickas, Bob. “Le Persone Fanno Quadri per Provare Che Esistono.” Tema Celeste, April 1999: pp. 66-73.

     “Joanne Greenbaum at D'Amelio Terras.” New Art Examiner, March 1999: pp. 58.

1998     Cotter, Holland. “Art in Review: Joanne Greenbaum at D'Amelio Terras.” New York Times, December 4, 1998: 

     SectionE36.

1997     Schaffner, Ingrid. “Joanne Greenbaum at D'Amelio Terras.” Artforum, November 1997: pp. 116 117.

     Smith, Roberta. “Art in Review: Joanne Greenbaum at D'Amelio Terras.” New York Times, March 14, 1997: Arts
 
     section.

     Nahas, Dominique. “Joanne Greenbaum at D'Amelio Terras.” March 1, 1997.

 

AWARDS

Artist in Residence, The Chinati Foundation, Marfa, TX

Artist in Residence, Greenwich House Pottery, New York, NY

Pollock-Krasner Foundation Grant, New York, NY

Finalist/First Alternate,The Richard C. Diebenkorn Teaching Fellowship, San Francisco Art Institute, San Francisco, CA

Michael and Nina Sundell Residency for a Visual Artist, Yaddo Saratoga Springs, NY

Resident Artist, Skowhegan School of Painting and Sculpture, Skowhegan, ME

Rockefeller Foundation, Bellagio Study Center, Lake Como, Italy

Lower East Side Print Workshop Fellowship, New York, NY

Artist’s Residency, Yaddo, Saratoga Springs, NY

John Simon Guggenheim Memorial Foundation Fellowship in Painting

New York State Foundation for the Arts (NYFA) Fellowship in Painting

Mid-Atlantic Arts Fellowship, Finalist in Painting

 

PUBLIC COLLECTIONS

Nerman Museum of Contemporary Art, Overland Park, KS

Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY

Museum Abteiberg, Monchengladbach, Germany

Haus Konstruktiv Museum, Zurich, Switzerland

Rose Art Museum, Brandeis University, Waltham, MA

CCA Andratx, Mallorca, Spain