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AMANDA ROSS-HO
(b. 1975, lives in Los Angeles)
EDUCATION
2006 MFA, University of Southern California, Los Angeles, CA
1998 BFA, School of the Art Institute of Chicago, Chicago, IL
1997 Exchange Program: California College of Arts and Crafts, Oakland, CA
SOLO EXHIBITIONS
2018 THIS IS A DEVELOPING STORY, Dodd Galleries, University of Georgia, GA (forthcoming)
2017 MY PEN IS HUGE, Mitchell-Innes & Nash, New York, NY
UNTITLED PERIOD PIECE, Tramway, Glasgow, UK
UNTITLED PERIOD PIECE, Bonner Kunstverein, Bonn, Germany
2016 UNTITLED PERIOD PIECE, De Vleeshal, Netherlands
Eternal Flame, The Pit, Los Angeles, LA
2015 HOW TO REMOVE DARK SPOTS, Praz-Delavallade, Paris, France
2014 The Suburban Opening: Amanda Ross-Ho, Museum of Contemporary Art Cleveland, Cleveland, OH
WHO BURIES WHO, The approach, London, UK
2013 CRADLE OF FILTH, Shane Campbell Gallery, Chicago, IL
GONE TOMORROW, Mitchell-Innes and Nash, New York, NY
THE CHARACTER AND SHAPE OF ILLUMINATED THINGS, Museum of Contemporary Art, Chicago, IL
2012 TEENY TINY WOMAN, Museum of Contemporary Art, Pacific Design Center, Los Angeles, CA (catalog)
2011 TIME WAITS FOR NO ONE, The approach, London, UK
UNTITLED NOTHING FACTORY (curated by Jade Walker), Visual Arts Center, University of Texas, Austin, TX
2010 A STACK OF BLACK PANTS, Cherry and Martin, Los Angeles, CA
SOMEBODY STOP ME, Mitchell-Innes & Nash, New York, NY
Project Series 40: Amanda Ross-Ho: The Cheshire Cat Principle, Pomona College Museum of Art, Pomona, CA
2009 UNTITLED EVENT, Hoet Bekaert, Ghent, Belgium
2008 HALF OF WHAT I SAY IS MEANINGLESS, Cherry and Martin, Los Angeles, CA
2007 Hoet Bekaert, Knokke, Belgium
NOTHIN FUCKIN MATTERS, Cherry and Martin, Los Angeles, CA
2006 gran-abertura, Western Exhibitions, Chicago, IL
Don't Front (You Know I Got Cha Open), Cherry and Martin, Los Angeles, CA
2004 Season Finale, Western Exhibitions, Chicago, IL
2003 The Earth is Rotating with this Room as its Axis, Soap Factory, Minneapolis, MN
Scene of Changery, Dogmatic, Chicago, IL
SELECTED GROUP EXHIBITIONS
2018 This is a Pipe: Realism and the Found Object in Contemporary Art, Shane Campbell Gallery, Chicago, IL
Visual Arts Center of Richmond, Richmond, VA (forthcoming)
2017 99 Cents or Less, Museum of Contemporary Art Detroit, Detroit, MI
2016 Good Dreams, Bad Dreams - American Mythologies, The Aishti Foundation, Jal el Dib, Lebanon
Wasteland: Art from Los Angeles, curated by Shamim Momin, Mona Bismarck American Center, Paris, FR
2015 No Man's Land, The Rubell Family Collection, Miami, FL
Feed the Meter, Galerie Bernard Ceysson, Luxembourg
A Painting Is A Painting Isn’t A Painting, Kadist Foundation, San Francisco, CA
SAIC Anniversary Alumni Exhibition, Curated by Scott and Tyson Reeder, Sullivan Galleries, Chicago, IL
Image Objects, Public Art Fund Commission, City Hall Park, New York, NY (forthcoming)
Under Construction, Parámo, Guadalajara, Mexico
SOGTFO, François Ghebaly Gallery, Los Angeles, CASmall Sculpture, Shane Campbell Gallery, Chicago, IL
Basement Folds, Claremont Graduate University Gallery, Claremont, CA
Womanhouse, Eric Firestone Gallery, East Hampton, NY
Poses & Play, La Brasserie, Foncquevillers, France
Thief Among Thieves, Museum of Contemporary Art Denver, Denver, CO
wow! Woven? Entering the (sub)Textiles, Künstlerhaus - Halle für Kunst & Medien, Graz, Austria
2014 Shakti, Brand New Gallery, Milan, Italy
Infinitude, Roberts & Tilton, Culver City, CA
The White Album, curated by Gladys-Katherina Hernando, Richard Telles Fine Art, Los Angeles, CA
Summer & sUMMER, Michael Jon Gallery, Detroit, MI; Michael Jon Gallery, Miami, FL
PICTURE THIS, Kunsthalle St Gallen, St Gallen, Switzerland; SALTS, Birsfelden, Switzerland
Soft Target, M+B, Los Angeles, CA
Just came to say HELLO, Klemm's, Berlin, Germany
BIEN OU BIEN?, mon Cheri, Brussels, Belgium
Tragedy + Time, Public Fiction/Hammer Museum, Los Angeles, CA
Unfinished Season, Galerie Christian Nagel, Cologne, Germany
Inaugural Show, Loudhailer Gallery, Los Angeles, CA
Amy+John+Amanda (Amy Yao, John Riepenhoff, Amanda Ross-Ho), Artist Curated Projects, Los Angeles, CA
2013 Image Transfer, Salina Art Center, Salina, KS
Painting in Place, LAND, Los Angeles, CA
You Are Here, Worcester Art Museum, Worcester, MA
Febreze, Kinman, London, UK
In the Cut: Collage as Idea, Australian Centre for Contemporary Art, Melbourne, Australia
ANAMERICANA, American Academy in Rome, curated by Vincenzo de Bellis, Rome, Italy
Camp Paradox Days, The University of the Arts Rosenwald-Wolf Gallery, Philadelphia, PA
Culm, Night Gallery, Los Angeles, CA
TEN YEARS, Wallspace, New York, NY
Yes I Will Yes, American Contemporary, New York, NY
Stand-In, Albert Baronian, Brussels, Belgium
Set Pieces, Cardi Black Box, Milan, italy
2012 Make Hay, David Petersen Gallery, Minneapolis, MN
Props for Memory, Invisible-Exports, New York, NY
Collage, Thaddaeus Ropac, Paris, France, with publication
Comrades of Time, PST, Tilberg, The Netherlands, with publication
Look Here Upon This Picture, Cherry and Martin, Los Angeles, CA
Pure Perception: Kristin Baker, Laura Owens, Mai-Thu Perret, Amanda Ross-Ho, curated by Margherita Artoni,
Monica de Cardenas, Milan, Italy
Prince at the forum, Beacon Arts Building, Los Angeles, CA
Pairings: The Collection at 50, Orange County Museum of Art, Newport Beach, CA
Devouring Time, Western Bridge, Seattle, WA
Special Blend, The Journal, Brooklyn, NY
Image Transfer, Newcomb Art Center at Tulane University, New Orleans, LA
2011 Two Schools of Cool, Orange County Museum of Art, Newport Beach, CA (catalog)
disorder, Todd Madigan Gallery, California State University Bakersfield, Bakersfield, CA
George Herms: Xenophilia (Love of the Unknown), Museum of Contemporary Art, Los Angeles, CA
Painting Expanded, Tanya Bonakdar, New York, NY
Greater LA, 483 Broadway, New York, NY
NOT THE WAY YOU REMEMBERED, Queens Museum of Art, Queens, NYHuman
Nature: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles, CA
Image Transfer, Richard E. Peeler Art Center, Depauw University, Greencastle, IN; Center for Art, Design and
Visual Culture, University of Maryland, Baltimore, MD
Banquet of the Black Jackal, Luckman Gallery, Cal State, Los Angeles, CA (catalog)
2010 Drawing, Shane Campbell Gallery, Chicago, IL
How Soon Now, Rubell Family Collection, Miami, FL
Free, New Museum, New York, NY
New Photography 2010, Museum of Modern Art, New York, NY
Image Transfer, Henry Art Gallery, Seattle, WA (catalog)
Jerry/Jury-Rigged, curated by Jan Tumlir, Glendale Community College Art Gallery, Glendale, CA
Artist's Museum, Museum of Contemporary Art, Los Angeles, CA
Portugal Arte, Lisbon, Portugal
Doctor Zomb, Glendale Community College Art Gallery, Glendale, CA
Endless Bummer / Surf Elsewhere, Blum and Poe, Los Angeles, CA
Wall-to-Wall, Daniel Weinberg Gallery, Los Angeles, CA
They Have Not the Art to Argue with Pictures, Cherry and Martin, Los Angeles, CA
Production Site: The Artist's Studio Inside and Out, Museum of Contemporary Art, Chicago, IL
The Never Ending Story: Fairytale, Fantasy, Obsession, curated by Laura Hoptman, Royal/T, Los Angeles, CA
Crosstown Traffic, Wentrup Gallery, Berlin, Germany
New Art for a New Century: Recent Acquisitions 2000-2009, Orange County Museum of Art, Newport Beach, CA
FAX, Burnaby Art Gallery, Burnaby, Canada
Para/Site Art Space, Hong Kong
2009 Picturing The Studio, School of the Art Institute of Chicago, Chicago, IL
In Bed Together, Royal/T, Los Angeles, CA
Chinese Box, Overduin and Kite, Los Angeles, CA
Wallworks, Yerba Buena Arts Center, San Francisco, CA
Interiority Complex, Artist Curated Projects, Los Angeles, CA
Bitch Is The New Black, Honor Fraser, Los Angeles, CA
Summer Group Show, Mitchell-Innes and Nash, New York, NY
July Artist of the Month, Invisible Exports, New York, NY
To The Left of The Rising Sun, Small A Projects, New York, NY
Abstract America: New Painting and Sculpture, Saatchi Gallery, London, UK
Selected Works from the MCA Collection, MCA Chicago, Chicago, IL
Spoils & Relics: Henning Bohl, Michael Hakimi, Amanda Ross-Ho, The approach, London, UK
FIRST SHOW, Cherry and Martin, Los Angeles, CA
FAX, The Drawing Center, New York, NY; traveled to Contemporary Museum, Baltimore, MD and Torrance Art
Museum, Torrance, CA
Make Room, Atlanta Contemporary Art Center, Atlanta, GA
LA Woman, Hanes Art Gallery, Wake Forest University, Winston Salem, NC
2008 The Station, curated by Shamim Momin and Nate Lowman, Miami, FL
Indirect Object: Matt Mullican, Cady Noland, Amanda Ross-Ho, Frances Stark, Mitchell-Innes & Nash, New York,
NY
Dogtooth and Tessellate, The approach, London, UK 2008 California Biennial, Orange County Museum of
Art, Newport Beach, CA (catalog)
Index: Conceptualism In California From The Permanent Collection, Museum of Contemporary Art, Los Angeles,
CA
a tellurian complex, john connelly presents, New York, NY
Whitney Biennial, Whitney Museum of American Art, New York, NY (catalog)
Chinaman's Chance, Pacific Asia Museum, Pasadena, CA
Depositions, Galerie Francesca Pia, Zurich, Switzerland.
Nina in Position, Artists Space, New York, NY
Vaginal Rejuvenation, Guild and Greyshkul, New York, NY
2007 for REE, Marc Foxx Gallery, Los Angeles, CA
OPEN, Hoet Bekaert Gallery, Ghent, Belgium
Sculptors' Drawings, Angles Gallery, Santa Monica, CA
Post-Rose: Artists In And Out of The Hazard Park Complex, Christian Nagel, Berlin, Germany
Sonotube Forms, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
Warhol and..., Kantor/Feuer Gallery, Los Angeles, CA
Me, you, you, a ventriloquy, Small A Projects, Portland, OR
Distinctive Messengers, House of Campari, Los Angeles, CA
Obscene Soft Sounds, Wallspace, New York, NY
Photographs, AR Fine Art, Milan, Italy
2006 Dice Thrown (Will Never Annul Chance), Bellwether, New York, NY
666, curated by Jan Tumlir, USC Roski School of the Arts, Los Angeles, CA
2005 State of Emergence, Track 16 Gallery, Los Angeles, CA
Hella Chihuahuas, Platform China, Beijing, China
Things We Said We’d Never Do Again, Western Exhibitions, Chicago, IL
Spring Break, ArtLedge, Chicago, IL
Museum of Contemporary Art Chicago,
ArtLA, Los Angeles, CA
Players, University of St. Francis, Joliet, IL
2004 Battle of the Dimensions, Stichting Kunst and Complex, Rotterdam, The Netherlands Extended Family, Publico,
Cincinatti, OH
Drunk vs, Stoned, Gavin Brown’s Enterprise, New York, NY
This Thing We Do, Western Exhibitions, Chicago, IL
Welcome to Wonderland, 1R Gallery, Chicago, IL
100 Cuts, Gallery 312, Chicago, IL
Uncovered Chicago, Museum of Contemporary Art, Chicago, IL
2003 Don’t Fail Me Now, TBA Gallery, Chicago, IL
Amanda Ross-Ho and David Baptiste-Chirot, Jody Monroe Gallery, Milwaukee, WI Glossing, 1R Gallery, Chicago, IL
Artboat, Dogmatic, Chicago, IL
9th Annual University Exhibit, Northern Indiana Art Association, Munster, IN
Really Real, Gallery 312, Chicago, IL
Subtle, Not So Subtle, 1R Gallery, Chicago, IL
2002 Just What it Says, Bodybuilder and Sportsman, Chicago, IL
Canadian Thanksgiving, Robert DeCaprio Gallery, Palos Hills, IL
81/2' X 11', Bodybuilder and Sportsman, Chicago, IL
Reconfiguring Pop, Gallery 2, Chicago, IL
Thrill 2, Joymore, Chicago, IL
Moxie, Three Arts Club, Chicago, IL
Meet Me in St. Louie, Crowe T. Brooks Gallery, St. Louis, MO
2001 Bastard:Son of Hot Sauce, Law Office, Chicago, IL
Outside the Box, Lemp Brewery, St. Louis, MO
Day Job, Open End, Chicago, IL
Flowers are Meant to be Picked, A.S.A.P, Chicago, IL
2000 Significant/Signifiers, Ukranian Institute of Modern Art, Chicago, IL
Ball and Chain, Skokie Sculpture Park, Skokie, IL
Counter Productive Industries, 1926 Space, Chicago, IL
BIBLIOGRAPHY
2017 Indrisek, Scott. “For Amanda Ross-Ho, Losing Her Studio Was a Creative Gain.” Artsy, Oct. 3, 2017.
Brock, Hovey. “AMANDA ROSS-HO: My Pen is Huge.” The Brooklyn Rail, Oct. 5, 2017.
Laster, Paul. “Amanda Ross-Ho’s supersized art lives large in Chelsea.” TimeOut, Sept. 5, 2017.
“'MY PEN IS HUGE' by Amanda Ross-Ho at Mitchell-Innes & Nash, New York.” Blouin Artinfo, July 30, 2017.
2016 Scott, Gregory J., “Walker’s ‘Ordinary Pictures’ muses on banality of stock photos,” Chicago Star Tribune,
Feb. 25, 2016.
Cigainero, Jake. “Los Angeles Wasteland Comes to Paris in Dual Show at Bismarck, Ropac,” artinfo.com, Mar.
16, 2016.
Murakami, Kenta. “Amanda Ross-Ho,” OSMOS Magazine, No. 10, Fall 2016, pp. 30-35.
Durand, Paul. “Amanda Ross-Ho at Vleeshal Gallery Middelburg,” artinfo.com, Dec. 6, 2016.
2015 Johnson, Ken. “‘Image Object’ Looks at the Relationship Between the Virtual and the Physical.” The New York
Times, July 2015.
“Galería Diéresis muta a Páramo.” Informador.mx, June 2015.
Griffin, Jonathan. “SOGTFO at François Ghebaly.” Contemporary Art Review LA, June 2015.
Gil, Rubén. “La galería Páramo se inaugura con una obra en construcción.” La Jornada Jalisco, May 31, 2015.
Cascone, Sarah. “The Public Art Fund Brings Digitally Manipulated Sculpture to City Hall Park.” artnet News, May
12, 2015.
Williams, Maxwell. "Big Ideas." BlouinArt + Auction, May 2015.
2013 Dluzen, Robin. "Editorial: Recommendations Amanda Ross-Ho." Visual Art Source, May 2013.
Nardi, Sarah. "Amanda Ross-Ho creates a public work with the public very much in mind." Chicago Reader, July
2013.
Cristello, Stephanie. "Tête-à-Tête." Artslant, July 2013.
Eler, Alicia. "Take Your Picture with an Oversize Neosurrealist Dream Head." Hyperallergic, Aug. 8, 2013.
2012 Morse, Rebecca. AMANDA ROSS-HO exhibition catalog. Museum of Contemporary Art, Los Angeles, 2012.
Morse, Rebecca. AMANDA ROSS-HO, “Chance Favors the Prepared Mind,” exhibition catalog. Museum of
Contemporary Art, Los Angeles, 2012: pp. 4 - 17.
“Sad is Stupid Big: Amanda Ross-Ho In Conversation with Joao Ribas, Apr. 2012,” AMANDA ROSS-HO,
exhibition catalog. Museum of Contemporary Art, Los Angeles, 2012: pp. 306 - 310.
Zellen, Jody. “Continuing and Recommended.” Artscene, Sept., 2012: pp. 19.
Martens, Anne. “Amanda Ross-Ho MOCA Pacific Design Center.” Artillery, Sept. – Oct. 2012: pp. 64.
Moratto, Rossela. “Pure Perception.” Flash Art International, July – Sept. 2012: pp. 106.
Soto, Paul, “Biographical Marks: Q+A with Amanda Ross-Ho.” Artinamericamagazine.com, July 25, 2012.
Knight, Christopher. “Art Review: ‘Amanda Ross-Ho: Teeny Tiny Woman’ translates well.” The Los Angeles Times,
July 3, 2012.
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Cefalu, Christiana. “Art The Won’t Break the Bank.” Barrons.com, Sept. 10, 2012.
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Knight, Christopher. “Making it clear in her own time.” Los Angeles Times, July 3, 2012.
Ross-Ho, Amanda. “500 Words.” Artforum.com, June 2012.
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Barton, Dave. “At OCMA, It’s Tag Team Time!” OC Weekly, Jan. 19, 2012.
Knight, Christopher. “Faces To Watch: 2012.” Los Angeles Times, Jan. 1, 2012.
2011 Ruiz, Steve. “Drawing with Amanda Ross-Ho.” Jettison Quarterly, Spring/Summer 2011.
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Tan, Lumi. "Free." Frieze Magazine, Mar. 2011: pp. 141.
Weathers, Chelsea. "PICKS: Amanda Ross-Ho." Artforum.com, Feb. 2011.
Geha, Katie. "Amanda Ross-Ho: UNTITLED NOTHING FACTORY, Visual Arts Center, The University of Texas
at Austin." Art Lies, No. 67, Feb. 2011.
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Vogel, Wendy. "Free: New Museum of Contemporary Art, New York.” ...might be good, Issue 160, Jan. 7, 2011.
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Williams, Maxwell. "The California Conceptualist Unfurls Form and Structure." Flaunt.com, Jan. 2011.
2010 Aletti, Vince. “Critics Notebook: Cool Hunters.” The New Yorker, Oct. 18, 2010: pp. 12.
Rosenberg, Karen. “Ignoring Boundaries and Borrowing Freely.” The New York Times, Oct. 7, 2010: pp. C28.
Myers, Holly. "In The Studio: A playful stage for Amanda Ross-Ho." Los Angeles Times, August 22, 2010: pp. E5.
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2009 Jones, Alice. "Bright young things: ones to watch." The Independent, Oct. 9, 2009.
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Ross-Ho, Amanda. “Rants and Raves: Amanda Ross-Ho.” NYFA Interactive, Mar. 21, 2007.
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Speh, Scott. “Don't Fail Me Now at TBA.” Hot Commodities 19, 2004.
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