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SUZANNE MCCLELLAND
(b. 1959, lives in New York, NY)
EDUCATION
1989 MFA, The School of Visual Arts, New York, NY
1981 BFA, University of Michigan, Ann Arbor, MI
SOLO EXHIBITIONS
2017 Just Left Feel Right, curated by Amy Smith-Stewart, The Aldrich Contemporary Art Museum, Ridgefield, CT (cat.)
Rank, Team Gallery, New York, NY
2016 Articulate Muscle, Dieu Donne, New York, NY
2015 Call with Information, Team Gallery, New York, NY
2014 Zero Plus Zero, Shane Campbell Gallery, Lincoln Park, IL
2013 STrAY, University of Virginia Art Museum, Charlottesville, VA (catalogue)
Every Inch of My Love, Team Gallery, New York, NY
Furtive Gesture, University Art Museum, University at Albany, State University of New York, Albany, NY
2011 left, Sue Scott Gallery, New York, NY
2010 Scratch, Shane Campbell Gallery, Chicago, IL
TOY, Galerie Andres Thalmann, Zurich, Switzerland (catalogue)
2009 Put Me in the Zoo, Sue Scott Gallery, New York, NY
2007 STrAY, David Krut Projects, New York, NY (catalogue)
2005 SLIP, Larissa Goldston Gallery, New York, NY (catalogue)
Team Play Her, Shane Campbell Gallery, Oak Park, IL
2003 Suzanne McClelland: Drawings And Prints, KS Art, New York, NY
2001 Enough Enough, Orlando Museum Of Art, Orlando, FL
2000 Out of Character, Paul Kasmin Gallery, New York, NY
PLOT, Galerie Lutz & Thalmann, Zurich, Switzerland (catalogue)
Intersections and Interruptions, Locks Gallery, Philadelphia, PA
1999 Correspondence, Lemberg Gallery, Birmingham, MI
Elsewhere, Baldwin Gallery, Aspen, CO
1998 Mothertongues, Paul Kasmin Gallery, New York, NY
1997 Weatherspoon Art Gallery, The University Of North Carolina At Greensboro, Greensboro, NC (catalogue)
Tealeaves, L.A. Louver, Inc., Los Angeles, CA
Galerie Lawrence Rubin, Zurich, Switzerland (catalogue)
Galerie Kyoko Chirathivat, Bangkok, Thailand (catalogue)
1996 Babel, Paul Kasmin Gallery, New York, NY (catalogue)
1995 Lemberg Gallery, Birmingham, MI
Texas Gallery, Houston, TX
Barbara Krakow Gallery, Boston, MA
1994 Paul Kasmin Gallery, New York, NY
L.A. Louver, Inc., Venice, CA (catalogue)
1993 303 Gallery, New York, NY
Jason Rubell Gallery, Miami, FL
1992 Painting, Whitney Museum Of American Art, New York, NY (catalogue)
Jason Rubell Gallery, Palm Beach, FL (catalogue)
1991 Stephanie Theodore Gallery, New York, NY (catalogue)
SELECTED GROUP EXHIBITIONS
2017 It will be more like scratching than writing, Goldfinch Projects, Chicago, IL
Blue Black, curated by Glenn Ligon, Pulitzer Arts Foundation, St. Louis, MO
Gray Matters, curated by Michael Goodson, Wexner Center for the Arts, Columbus, OH
Picturing Math: Selections from the Department of Drawings and Prints, curated by Jennifer Farrell, The Met Fifth
Avenue, New York, NY
2016 Language as Representation, curated by Nicholas Arbatsky, Fisher Landau Center for Art, Long Island City, NY
Holdings: Selection from MCASD's Collection, curated by Anthony Graham, Museum of Contemporary Art San
Diego, La Jolla, CA
Suzanne McClelland & Brock Enright, curated by Tyler Moore, Meyohas, New York, NY
Champagne Life, Saatchi Gallery, London, UK
the bird & the bees; Brock Enright & Suzanne McClelland, curated by Tyler Moore, Meyohas, New York, NY
2015 The Now Forever, curated by Michael St. John with Tyler Moore, Carol McCrainie and Javier Magri, Basilica,
Hudson, NY
No Man's Land, Rubell Family Collection, Miami, FL
The Raw and the Cooked, Frosh & Portmann, New York, NY
+1, curated by Wes Sherman, The Center for Contemporary Art, Bedminster, NJ
2014 Frieze Art Fair New York, Team Gallery, New York, NY
Frieze Art Fair New York, Shane Campbell Gallery, New York, NY
2014 Whitney Biennial, Whitney Museum of American Art, New York, NY
Sensitive Instruments, curated by Molly Zuckerman-Hartung, Corbett vs. Dempsey, Chicago, IL
Above and Below the Surface: Eight Artists, John Berggruen Gallery, San Francisco, CA
As We Were Saying: Art and Identity in the Age of "Post," EFA Project Space, New York, NY
2013 Frieze Art Fair New York, Shane Campbell Gallery, New York, NY
NYC 1993 Experimental Jet Set, Trash and No Star, The New Museum of Contemporary Art, New York, NY
Interval Measures, organized by Lucien Terras- 143 Reade Street, New York, NY
NADA Miami Beach, Shane Campbell Gallery, Miami Beach, FL
Robert Janitz, Ross Knight, Ryan McGinley, Suzanne McClelland, David Ratcliff, Daniel Turney, and Stanley
Whitney, Art Basel Miami Beach, Team Gallery, Miami Beach, FL
2012 The Master Printer and the Collaborative Process: Collaborations from the Print Studio, IPCNY, New York, NY
Kind of Blue, Larissa Goldston Gallery, New York, NY
Dirt Tongue, CCA Andraxt, Majorca, Spain
Color Walks Away, Gallerie Andres Thalmann, Zurich, Switzerland
Loughelton Revisited, Curated by Barbara Broughel, Winkleman Gallery, New York, NY
Makeup on Empty Space, Larissa Goldston Gallery, New York, NY
Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY
Friends Seminary Auction, New York, NY
Bomb’s 31st Anniversary Gala, New York, NY
Art from the Heart, Weatherspoon Art Museum, Greensboro, NC
Exit Art Auction, New York, NY
2011 A Painting Show, organized by Laura Raicovich and Jesse Washburne-Harris, Harris Lieberman Gallery, New York,
NY
Affinities, curated by Kate McNamara, D’Amelio Terras Gallery, New York, NY
Influentials, curated by Amy Smith Stewart with Carrie Lincourt, Visual Arts Gallery at SVA, New York, NY
Paper A-Z, Sue Scott Gallery, New York, NY
Jim Schmidt Presents Abstraction, Phillip Stein Gallery, St. Louis, MO
2010 Drawing, Shane Campbell Gallery, Chicago, IL
Third Thoughts, curated by Carol Szymanski and Barry Schwabsky, CCA Andratx Kunsthalle, Mallorca, Spain
A Reluctant Apparition, Sue Scott Gallery, New York, NY
The Pipe and the Flow, curated by Omar Lopez-Chahoud, espacio minimo, Madrid, Spain
Give Me a Minute, curated by Amber Boardman, The Shirey, Brooklyn, NY
Summer 2010, Larissa Goldston Gallery, New York, NY
2009 New Prints, 2009/Spring, curated by Polly Apfelbaum, IPCNY, New York, NY
Pink Panther, curated by Amy Smith-Stewart, KUMUKUMU Gallery, New York, NY
Affinities: Painting in Abstraction, curated by Kate McNamara, RISD Museum, Providence, RI
SPECIALS, curated by Lisa Sigal and Paul Ramirez Jonas, HighLine, New York, NY
Landscape Revisited, curated by Dodie Kazanjian, Park Avenue Armory, New York, NY
What’s Neu?: Recent Additions to Neuberger Collection, Neuberger Museum of Art, Purchase College, Purchase,
NY
Lover, curated by Kate Gilmore, On Stellar Rays, New York, NY
Talk Dirty to Me…, Larissa Goldston Gallery, New York, NY
2008 Legerdemain, Sure Scott Gallery, New York, NY
Stable Scrawl, Larissa Goldston Gallery, New York, NY
Grey, Dinter Fine Arts, New York, NY
Ithaca Collects, Johnson Museum of Art, Cornell University, Ithaca, NY
More Than Words, Von Lintel Gallery, New York, NY
Affinities: Painting in Abstraction, curated by Kate McNamara, Ramapo College of New Jersey, Mahwah, NJ
Under the Influenece, curated by Francis Bishop Good, Jane Hart and Michelle Weinberg, Art and Cultural Center
of Hollywood, Ft. Lauderdale, FL
2007 Drawing, Thinking, curated by Marco Breuer, Von Lintel Gallery, New York, NY
In the Viewing Room, curated by Lisa Sigal, Frederieke Taylor Gallery, New York, NY
Horizon, curated by David Humphrey, Elizabeth Foundation for the Arts, New York, NY
Affinities: Abstraction in Painting, curated by Kate McNamara, CCS Bard College, Annandale-on-Hudson, NY
Sex in the City, curated by Dean Daderko and Marina Adams, Dumbo Arts Center, Brooklyn, NY
Post Dec-Beyond Pattern and Decoration, curated by Zina Davis, Joseloff Gallery, University of Hartford,
West Hartford, CT
What F Word?, curated by Carol Cole Levin, Cynthia Broan Gallery, New York, NY
Katherine Bowling and Suzanne McClelland Unique Works on Paper, One Eye Pug, New York, NY
Mixed Signals, curated by Martina Batan, Ronald Feldman Fine Arts, New York, NY
ULAE-Celebrating Fifty Years with New Editions, Larissa Goldston, New York, NY
Nina Freudenheim Gallery, Buffalo, NY
In Words: The Art of Language, curated by Lance Winn, University Museums, University of Delaware, Newark, DE
Hot Off the Press, curated by Janice Oresman, The Grolier Club, New York, NY
2006 Women in the Bedroom, Larissa Goldston Gallery, New York, NY
2005 Counting the Ways: Word as Image, Fisher Landau Center for Art, Long Island City, NY
I’m a Child of Divorce Give Me A Break, Cynthia Broan Gallery, New York, NY
In Deep Water, Dinter Fine Art, New York, NY
Artists Pick, Larissa Goldston Gallery, New York, NY
Beyond Big, Detroit Institute of the Arts, Detroit, MI
2004 Face Off, Ronald Feldman Fine Arts, New York, NY
Co-Conspirators: Artist And Collector, The Collection of James Cottrell and Joseph Lovett, Orlando Museum of
Art, Orlando, FL and The Chelsea Museum, New York, NY
Transitory Patterns, National Museum of Women in the Arts, Washington D.C.
Word Of Mouth, Dinter Fine Art, New York, NY
2003 Ballpoint Inklings, K.S. Art with Geoffrey Young Gallery, New York, NY
New Prints 2003/Winter, International Print Center New York, New York, NY
ULAE Prints, Robin Rule Gallery, Denver, CO
Tamarind: 40 Years, Travelling Exhibition with the Tamarind Institute Gallery, Albuquerque, NM
Signs, Symbols & Codes, Elga Wimmer PPC, New York, NY
Group Show, Diane Villani Editions, New York, NY
WORD/IMAGE, Westport Arts Center, Westport, CT
2002 Group Show, Barbara Krakow Gallery, Boston, MA
Toyland, Alysia Duckler Gallery, Portland, OR
The Artists Against Abuse Plate Auction, The Retreat, East Hampton, NY
Tricky Adios: Hello to Handmade Words, Organized by David Humphrey, K.S. Art, New York, NY
2001 A Way with Words, Whitney Museum Of American Art, New York, NY
2000 Blurry Lines, John Michael Kohler Arts Center, Sheboygan, WI
Collectors Choice, Curated by Sue Scott, Orlando Museum of Art, Orlando, FL
Unlimited Space, Les Filles Du Calvaire, Paris, France
Unique Photographs, Paul Kasmin Gallery, New York, NY
Painting, Paul Kasmin Gallery, New York, NY
Drawings and Photographs, Matthew Marks Gallery, New York, NY
1999 Painting Language, La Louver, Venice, CA
Gesture And Contemporary Painting, The University of Michigan School of Art, Ann Arbor, MI
Drawn From Artist Collections, Organized by Ann Philbin and Jack Shear, The Drawing Center, New York, NY
Abstract Painting 1999, Paul Kasmin Gallery, New York, NY
Powder, Curated by Julie Graham and Maria Friedrich, Aspen Art Museum, Aspen, CO
Immediacies of The Hand: Recent Abstract Painting In New York, Curated by Carter Ratcliff and Kim Sobel,
Hunter College, New York, NY
1998 Artists on Line for ACOR, Gagosian Gallery, New York, NY
Suzanne McClelland, Elliott Puckette, Nancy Rubins, Paul Kasmin Gallery, New York, NY
Diebenkorn, Hodgkin, McClelland, Rauschenberg, Stella, Sultan, Winters, Lichtenstein, Gallerie Lawrence Rubin,
Milan, Italy
After School, Visual Arts Museum at The School of Visual Arts, New York, NY
Spring for Art, Art for Spring, Weatherspoon Art Gallery, Greensboro, NC
Proof Positive: 40 Years of Contemporary American Printmaking at ULAE: 1957-1997, UCLA at the Armand
Hammer Museum of Art and Cultural Center, Los Angeles, CA
Proof Positive: 40 Years of Contemporary American Printmaking at ULAE: 1957-1997, Senzon Museum of Art,
Tokyo, Japan
Masters of the Masters: MFA Faculty of The School of Visual Arts, New York 1983-1998, New York, NY
Painting Language, L.A. Louver, Venice, CA
1997 Moving Toward The Millennium…, Schmidt Contemporary Art, St. Louis, MO
Heart, Mind, Body, Soul: American Art In The 1990's, Whitney Museum of American Art, New York, NY
Suzanne Mcclelland, Elizabeth McGrath, and Daniel Wiener, Eugene Binder Gallery, Long Island City, NY
Essential Gestures And Fundamental Signs, Gallery of Art, Johnson County Community College, Overland Park, KS
Artists Respond To 2001: A Space Odyssey, Organized by Bruce Pearson, Williamsburg Art, and Historical Society,
Brooklyn, NY
After The Fall: Aspects Of Abstract Painting Since The 1970's, Curated by Lilly Wei, Newhouse Center for
Contemporary Art, Sung Harbor Cultural Center, Staten Island, NY
Jacqueline Humphries, Suzanne Mcclelland, Beatriz Milhazes, Betsy Senior Gallery, New York, NY
Irredeemable Skeletons, Curated by Mark Harris, Carmel Bukley, and Peter Lloyd Lewis, Shillam + Smith 3,
London, UK
Proof Positive: 40 Years Of Contemporary American Printmaking At ULAE: 1957-1997, The Corcoran Gallery
of Art, Washington D.C.
Proof Positive: 40 Years Of Contemporary American Printmaking At Ulae: 1957-1997, University of Colorado,
Colorado Springs, CO
Sex/Industry, Curated by John Yau, Stefan Stux Gallery, New York, NY
New Grounds: Prints And Multiples, The University of South Florida Contemporary Art Museum, Tampa, FL
Sculpture and Works on Paper Based on the Word 'Cube', Carol Szymanski and Suzanne Mcclelland, Schmidt
Contemporary Art, St. Louis, MO
Colour Detour, Curated by Faye Hirsch, Apex Gallery, New York, NY
1996 Unconditionally Abstract, Schmidt Contemporary Art, St. Louis, MO
96 Seoul International Art Fair, Seoul, Korea
Marina Abramovic, Greg Bogin, Armstrong, Lisa Hoke, Suzanne McClelland, Donna Moylan, Vik Muniz, Edouard
Prulhiere, and Meyer Vaisman, Elizabeth Fiore Fine Arts, New York, NY
What I Did on My Summer Vacation, White Columns, New York, NY
Uneasy Surface – Points of Turbulence in Contemporary Art, Curated by Judith Tolnick. Fine Arts Center Galleries,
University Of Rhode Island, Kingston, RI
Women's Work, Curated by John Saachi, Greene/Naftali Gallery, New York, NY
1995 The Baseball Show, Curt Marcus Gallery, New York, NY
On Paper II, Schmidt Contemporary Art, St. Louis, MO
New York/New Mexico: New Prints, Horwitch/Lewallen Gallery and Tamarind Institute, Santa Fe, NM
1994 Le Temps D' Un Dessin, L'ecole Des Beaux-Arts, L'Orient, France
Stealth, Seafirst Gallery, Seattle, WA
Practicamente Argento/Basically Silver, Studio La Citta, Verona, Italy
Astratta: A Cura di Simona Lodi, Roberta Lette Arte Contemporanea, Volta, Italy
New York New York, Studio D'arte Barnabo, Venice, Italy
Abstraction: A Tradition of Collecting in Miami, Curated by Louis Grauchos and Kate Rawlinson, Center for
the Fine Arts, Miami, FL
Points of Interest, Points of Departure, John Berggruen Gallery, San Francisco, CA
Heterogeneity-Abstraction and Virtual Space, Curated by Leonard Bullock, Out of the Blue, Edinburgh, Scotland
Painting Language, L.A. Louver Gallery, Venice, CA
Re: Visioning the Familiar, Curated by Kaus Ottman. Ezra and Cecile Zilkha Gallery, Center For The Arts, Weslyan
University, Middleton, CT
1993 Works On Paper, Jack Hanley Gallery, San Francisco, CA
Universal Limited Art Editions Forthcoming Publications And Recent Editions, Brooke Alexander Gallery, New York,
NY
Universal Limited Art Editions, Bobbie Greenfield Gallery, Venice, CA
Paintings, Paula Cooper Gallery, New York, NY
Toolbox, Studio La Citta, Verona, Italy
Suzanne Mcclelland And Gail Fitzgerald, Schmidt Contemporary Art, St. Louis, MO
Summer Reading, Texas Gallery, Houston, TX
Drawing The Line Against AIDS, Amfar Benefit, Peggy Guggenheim Collection, Venice, Italy and Guggenheim
Museum, New York, NY
Foundation For Contemporary Performance Arts Benefit Exhibition, Leo Castelli Gallery, New York, NY
Extravagant, Curated by Jonathan Seliger, Russisches Kulturzentrum with Sylvia Menzel Gallery, Berlin, Germany
Irony And Ecstasy, curated by Klaus Ottmann, Salama-Caro Gallery, London, UK
Single Frame: Ideal Moments Of (Ir)Rational Totality, John Good Gallery, New York, NY
Biennial Exhibition, The Whitney Museum Of American Art, New York, NY
Works On Paper, (With Karen Kilimnik, Glen Ligon & Daniel Oats), Jack Hanley Gallery, San Francisco, CA
I Am The Enunciator, Curated by Christian Leigh, Thread Waxing Space, New York, NY
1992 Developing Language, Curated By Klaus Kertess, Hirschl And Adler Modern, New York, NY
Group Show, Theuretzbacher Gallery, Vienna, Austria
Painting, Jack Hanley Gallery, San Francisco, CA
Letter 'S' Road, Curated by Barry Schwabsky, Art Omi, Omi, NY
Off Balance, Jason Rubell Gallery, Palm Beach, FL
Drawings, Stuart Regan Gallery, Los Angeles, CA
Contextures & Constructures, Curated by Jonathan Seliger, Rubinstein/Diacono Gallery, New York, NY
Encounters With Diversity, Curated by Zdenka Gabolva, P.S. 1 Contemporary ArtCenter, New York, NY
How It Is, Curated by Jonathan Seliger, Tony Shafrazi Gallery, New York, NY
1991 Comments on 'Nomos, Curated by Robert Mahoney, Penine Hart Gallery, New York, NY
New York Diary: Almost 25 Different Things, Curated by Zdenka Gabolova and Ryszard Wasko, P.S. 1,
Contemporary Art Center, Long Island City, NY
Breathing Room, Amy Lipton Gallery, New York, NY
Nayland Blake, Suzanne McClelland, Teddy Shapiro, Ilyse Soutine, Chris Wilder, Petersburg Gallery, New York, NY.
1990 To Know a Hawk From a Handsaw, Wolff Gallery, New York, NY
Auction For Action, ACT UP, New York, NY
1989 Line, Curated by Loren Madsen, Visual Arts Gallery, New York, NY
Homeland, Curated by Yong Soon Min, Shirin Neshat, Minor Injury, Brooklyn, NY
1985 Homeless at Home, Storefront For Art & Architecture, New York, NY
1984 1984- A Preview, Ronald Feldman Fine Arts, New York, NY
SELECTED BIBLIOGRAPHY
2017 Hoffman, Laura. “Suzanne McClelland.” Artforum, Aug. 24, 2017.
“Suzanne McClelland at The Aldrich Contempoary Art Museum, Ridgefield, Connecticut.” Blouin Artinfo, July 21,
2017.
Helmke, Juliet. “Inside Abstraction: Suzanne McClellan Paints with Data.” Blouin Artinfo, Mar. 16, 2017.
Devoe, Emily. “The Aldrich presents: Suzanne McClelland: Just Left Feel Right.” Ridgefield’s Hamlethub, Jan. 9,
2017.
2016 Trouillot, Terence, “Suzanne McClelland Articulate Muscle1976,” The Brooklyn Rail, Apr. 6, 2016.
2015 "The Lookout: Suzanne McClelland." Art in America, Mar. 2015.
Butler, Sharon. "Political Violence and Abstraction: Suzanne McClelland." Two Coats of Paint, Mar. 14, 2015.
2014 Princenthal, Nancy. "Paint by Numbers." Art in America, Mar. 2014: pp. 106-115.
"Suzanne McClelland speaks with Garrett Bradley." Whitney Biennial 2014, yale University Press, 2014.
Miller, Leigh Anne. “Inside Frieze New York with Michelle Grabner.” Art in America, May 8, 2014.
Friedlander, Sara. “7 Female Artists You Must See at Frieze Art Fair.” Elle, May 9, 2014.
Cotter, Holland. "'As We Were Saying': 'Art and Identity in the Age of 'Post''." The New York Times, Oct. 2, 2014.
2013 Farrell, Jennifer. “Thoughts on STrAY: Found Poems From A Lost Time.” Exhibition catalog, The Fralin Museum of
Art, University of Virginia Museum of Art.
Gilmore, Kate and Suzanne McClelland. “Furtive Gesture_CEDEpart2.” Interview, University Art Museum,
UOA, SUNY.
Gilmore, Kate and Suzanne McClelland. “A Tisket, A Tasket.” Interview, University Art Museum, UOA, SUNY.
2012 Cohen, David. “When Academic Isn’t a Dirty Word.” Art Critical, May, 2012.
Zammiello, Craig and Elizabeth Hodermarsky. “Conversations From the Print Studio, A Master Printer in
Collaboration with Ten Artists.” (Bochner, Dunham, Gallagher, Hammond, McClelland, Ofili, Peyton, Ritchie, Smith,
Winters) Yale University Press, 2012.
2011 Schwabsky, Barry. “Suzanne McClelland.” BOMB Magazine, Issue #118, Winter 2011.
Smith-Stewart, Amy and Lincourt, Carry. The Influentials (exhibition catalogue). New York: SVA, 2011.
2010 Egan, Maura. "Suzanne McClelland." Elle Décor, May 2010.
Litmann, Ruth. TOY (exhibition catalog essay). Zurich: Galerie Andres Thalmann, Switzerland, 2010.
Latimer, Quinn. “Suzanne McClelland: Andres Thalmann, Zurich.” ARTnews Summer 2010.
2009 Rattemeyer, Christian. “The Judith Rothschild Foundation Contemporary Drawings Collection.” The Museum of
Modern Art, DAP, 2009.
Kazanjian, Dodie. “Dreaming The Landscape.” Vogue Magazine, Nov. 2009.
Carlin, T. J. “Suzanne Mcclelland, Put Me in the Zoo.” Time Out New York, No. 706, Apr. 9-15, 2009.
Straub, Kimberly. “House of Games”, Vogue.com, Mar. 26, 2009.
2008 Plagens, Peter, Kertess, Klaus, Hinds, Katherine. The Martin Z. Margulies Collection, Painting and Sculpture.
Marquand Books, Seattle WA, 2008.
Kino, Carol, Schwabsky, Barry and Scott, Sue, Rock and Shift, Hard Press Editions with One Eye Pug, 2008.
Momin, Shamim M. and Weinberg, Adam. Whitney Museum of American Art at Altria. Yale University Press, 2008.
Slip. Larissa Goldston Gallery, 2008.
2007 Heartney, Eleanor, Posner, Helaine, Princenthal, Nancy & Scott, Sue, After the Revolution: Women Who
Transformed Contemporary Art, Prestel Publishing
Cotter, Holland, "Art in Review: Sex in the City," The New York Times, Nov. 23, 2007.
Princenthal, Nancy, “Suzanne Mcclelland at David Krut,” Art in America, Nov., 2007.
2005 Maine, Stephen. “Suzanne McClelland at Larissa Goldston.” Art in America, Oct. 2005.
Johnson, Ken. “I’m a Child of Divorce…” The New York Times, Sept. 30, 2005: Arts section.
2004 Westfall, Stephen. “Suzanne McClelland at K.S. Arts.” Art in America, Apr. 2004.
Scott, Sue. “Co-Conspirators, The Making of a Collection,” catalogue essay. Orlando Museum of Art, 2004.
Rubenstien, Raphael. “Independent and International: Highlights of Cottrell-Lovett Collection,” catalogue essay.
The Orlando Museum of Art, 2004.
2003 Iles, Chrissie. “Best of 2003.” Artforum, Dec. 2003.
2002 Dailey, Meghan. Vitamin P: New Perspectives in Painting. New York: Phaidon Press Inc., 2002.
2001 Scott, Sue. “Suzanne McClelland: Enough Enough,” catalogue essay. Orlando Museum of Art, 2001.
McClelland, Suzanne. “Mr. Man, Working Proof.” Art on Paper, July – Aug. 2001.
Lebowitz, Cathy. “Suzanne McClelland at Paul Kasmin.” Art in America, Apr. 2001.
Bishop, Phillip E., Art in America, Apr. 2001.
Zinsser, John. Artnet.com, Jan. 2001.
Schwabsky, Barry. “Suzanne McClelland at Paul Kasmin.” Artforum, Jan. 2001.
Mahoney, Robert. Time Out New York, 2001.
2000 “Working Proof." Art on Paper, Dec. 2000.
Dalton, Jennifer. Art & Auction, Oct. 2000.
Kraft, Von Martin. "Wortgemalde." ZURITIPP, Aug. 31, 2000.
New York Magazine, Aug. 14, 2000.
Valdez, Sarah. "Summer 2000: Unique Photographs." Time Out New York, Aug. 3-10, 2000.
Aletti, Vince. "Unique Photographs." Village Voice, Aug.1, 2000: Arts section.
Princenthal, Nancy. "Talking Points: Conversation in the Art of Sophie Calle, Joseph Grigely and Suzanne
McClelland." Art on Paper, May - June 2000.
Elwood, Sean, "Plot," catalogue essay. Galerie Lutz + Thalmann, 2000.
1999 Prose, Francine. "The Gallery: The Artist as Curator." The Wall Street Journal, May 20, 1999.
Otter, Holland. "Immediacies of the Hand: Recent Abstract Painting in New York." The New York Times, Apr. 8,
1999: Arts section.
Osksenhorn, Stewart. "The Power of Powder." Aspen Times Weekly, Mar. 6 - 7, 1999: Arts & Entertainment
section.
Hirsch, Fay. "Working Proof: Just Relax." Art on Paper, Feb.1999.
Everett, Deborah. “Reviews.” New York Arts Magazine, Vol. 4, No. 3, 1999.
Wilkin, Karen. "At the Galleries." Partisan Review, Winter 1999.
1998 Johnson, Ken. New York Times, Dec. 11, 1998: Arts section.
Mahoney, Robert. Time Out New York, Dec. 10 - 17, 1998.
The New Yorker, Dec. 7 and 14, 1998.
Bell, J. Bowyer. “Exhibition Review.” Review, Dec. 1, 1998.
Shirley, David. "Abstract Views." Los Angeles Times, Aug. 28, 1998.
Singer, Clyde. "Exhibits Offer Bend of New with Traditional." Vindicator, Apr. 5, 1998.
"Collection Portrays the Art of America.” Vindicator, Apr. 9, 1998: Section C.
Shinn, Dorothy. "Show Disproves Adage ‘Those who can't …’." The Beacon Journal, Apr. 12, 1998.
Shirey, David. "Masters of the Masters, MFA Faculty of the School of Visual Arts, New York, 1983-1998," catalogue
essay. 1998.
“Painting Language.” Los Angeles Times, August 28, 1998: Arts section.
1997 Capalazzo, Amy and Drieshpoon, Doug. "Suzanne McClelland," interview and introduction. Weatherspoon Art
Gallery, 1997.
“Time Suite.” Art on Paper, Vol. 1, No. 5, May – June, 1997: pp.40 – 41.
"New Works," Esquire Thailand, Vol. 3, No. 5, May 1997.
Bianchi, Mary. “Interview with Suzanne McClelland.” A Journal of Art, Cornell University, May 1997.
Brecelic, Thomas. "Words=space+color." Thailand Times, Mar. 15, 1997.
Fisher, Jim. "New Art on Display at College." The Campus Ledger, Johnson County Community College,
Dec. 4, 1997.
Lutz, Gabriele. "Suzanne McClelland: New Paintings and Drawings," catalogue essay. Galerie Lawrence Rubin,
1997.
Pettifor, Steven. "Abstracting the Feeling of language." The Nation, Mar. 17, 1997.
Phoborisut, Penchan. "Language in Art." The Bangkok Post, Mar. 23 – 29, 1997.
Rainat, Joyce. "Visualizing Speech." The Bangkok Post, Mar. 5, 1997.
Rubinstein, Raphael. "Suzanne McClelland: The Spell(ing) of Painting," catalogue essay. Galerie Kyoko
Chiarthivat, Bangkok, 1997.
Thorson, Alice. "New Realities of Abstraction." The Kansas City Star, Nov. 3, 1997.
"Falk Visiting Artist: Suzanne McClelland." Weatherspoon Art Gallery Newsletter, Summer 1997.
Ostrow, Saul. "Essential Gestures and Fundamental Signs." Catalogue essay. Johnson County Community
College, 1997.
Calendar, California Homes, July/Aug., 1997.
Pagal, David. “Found In The Translation.” The Los Angeles Times, July 1997.
1996 Schwabsky, Barry. "Carnal Meteorology,” catalogue essay. Paul Kasmin Gallery, 1996.
Smith, Roberta. "Art in Review." The New York Times, Apr. 6,1996.
Smith, Roberta. "Arts & Leisure." The New York Times, May 26.
Mahoney, Robert. "Suzanne McClelland at Paul Kasmin." Artnet, May, 1996.
Bell, J. Bowyer. "Suzanne McClelland," Review, May, 1996.
Griffin, Tim. "Suzanne McClelland." Time Out New York, May 8 – 15, 1996.
1995 Raynor, Vivien. "Unsettling Social Commentary with Materials." The New York Times, May 1995.
Unger Miles. “Exhibition review at Barbara Krakow Gallery.” Art New England, Apr. – May 1995.
Campbell, Shane. "An Interview with Visiting Artist Suzanne McClelland." F News Magazine, School of the Art
Institute of Chicago, Apr. 1995.
Harris, Mark. "Material Abuse,” catalogue essay. Trans Hudson Gallery, 1995.
McClelland, Suzanne. "Jill Baroff, Lauren Szold and Ida Applebroog." BOMB Magazine, 1995.
Myers, Terry R. "Suzanne McClelland, Paul Kasmin Gallery." The New Art Examiner, Mar. 1995.
Wilkin, Karen. "At The Galleries." Partisan Review, Spring 1995.
“Review: Family Photo.” The Print Collector’s Newsletter, Jan. – Feb. 1995.
Adams, Brooks. "Expatriate Dreams." Art in America, Feb. 1995: pp 60 - 69, 109.
Stapen, Nancy. “Artist’s Eye Eternal Cycles.” The Boston Globe, Jan. 26, 1995.
Bankowsky, Jack. "The Art of the Matter: Curating the Whitney Biennial," an interview With Klaus Kertress.
Artforum, Jan. 26, 1995.
"The Gallery Doors Open to the Long Denied." The New York Times, May 26, 1995: Arts & Leisure.
1994 Aukeman, Anastasia. "New Art Finds Buyers Ready." Art Newsletter, Nov. 15, 1994.
Cotter, Holland. "Art in Review: Suzanne McClelland." The New York Times, Oct. 31, 1994.
Rubinstein, Raphael. "Abstraction in a Changing Environment," interviews with Suzanne McClelland, Richmond
Burton, Lydia Dona & Fabian Marcaccio. Art in America, 1995: pp. 102-109.
Drogin, David & Berresford, Lee. "Suzanne McClelland," essay in "Re: Visioning The Familiar," exhibition
catalogue, Ezra and Cecile Zilkha Gallery Center for the Arts, Wesleyan University, 1994.
Frank, Peter. "Art Picks of the Week: Suzanne McClelland, John Newman." L.A. WEEKLY, June 3, 1994.
Kawakita, Yoichi, "Suzanne McClelland." Men’s Club Japan, May 1994.
Hirsch, Faye. "Suzanne McClelland: New Paintings," catalogue essay, L.A. Louver, Inc., 1994.
Pagel, David. "Finding Meaning in the Muffled Mess." The Los Angeles Times, May 19, 1994.
Iannacci, Anthony. "Suzanne McClelland." Titolo, Winter 1993 - 94.
Ronnau, Jens. "Painting Made in New York." Fleasbangs Nachricsten, Mar. 2, 1994.
Choon, Angela. "Sense and Sensibility: Artists Translate Sensations into Form." Art & Antiques, Feb. 1994.
1993 Shepling, Carol Ferring. "New Yorkers: Free Spirited by Design: End Justifies the Means for McClelland,
Fitzgerald." St. Louis Dispatch, Nov. 18, 1993.
Hirsch, Faye. "Word Turf." Lingo, No. 2, 1993.
Ianacci, Anthony. "Toolbox." Titolo, Spring 1993.
Ianacci, Anthony. "Speciale Artisti in Mostra, Toolbox," Segno: Attualita Internazionali D’Arte Contemporanea, May
1993.
Bortolotti, Maurizio. "Toolbox." Tema Celeste: Arte Contemporanea, Summer 1993.
Drawing in BOMB MAGAZINE, Summer 1993: pp. 78 - 79.
Hirsch, Faye. "For The Record: An Interview with Suzanne McClelland." The Print Collectors Newsletter, Sep.–Oct.
1993.
Ottman, Klaus. "Developing Language," exhibition essay. Salma-Caro Gallery, London, 1993.
Meneghelli, Luigi. "Con il bisturi sulle tele: Quasi un' autopsia per indagare sulke morte
Dell'ane Toolbox." L’Arena, Mar. 22, 1993.
Phillips, Lisa. "No Man's Land: Art At The Threshold of a Millennium," Biennial Exhibition catalogue. Whitney
Museum of American Art, New York.
"Right," drawings by the artist. Jason Rubell Gallery, Jan. 1993.
1992 Seliger, Jonathan. "Contextures and Constructures," exhibition essay. Rubenstein/Diacomo Gallery, 1992.
Ottman, Klaus. "Against the Grain," exhibition essay. Galerie Theuretzbacher, Dec. 1992.
Kertess, Klaus. "Developing Language," exhibition essay. Hirshl & Adler Modern, 1992.
Golden, Thelma. "Painting: Suzanne McClelland," essay in exhibition brochure. Whitney Museum of American Art
at Philip Morris, 1992.
Smith, Roberta. "Art in Review: Suzanne McClelland at The Whitney Museum of American Art at Philip Morris." The
New York Times, Dec. 18, 1992.
Faye, Hirsch. "Written on the Wind." Tema Celeste, Apr. - May 1992.
Donegan, Cheryl. "Female Heroism: One Portrayal, Four Portraits." Tema Celeste, Nov. – Dec. 1992.
Blanchard, Paul. "Letter 'S' Road: Remarks on Site ‘ART OMI, Omi, NY’." Tema Celeste, Autumn 1992.
Kertess, Klaus. "Three Artists for the 90's." Elle Decor, Aug. – Sept. 1992.
Sjostram, Jan. "New Palm Beach Galleries Present Intriguing Summer Show." Palm Beach Daily News,
July 22, 1992.
Pazzi, Caterina. "Ow, he, he ah, ha." Giomali Dell’Arte, June 1992.
Kazanjian, Dodie. "Abstract Expressions." Vogue, June 1992.
Ianacci, Anthony. "Toolbox." Segno, May – June 1992.
Siegel, Jeanne. "Suzanne McClelland." Tema Celeste, Apr. – May 1992.
Yau, John. "Suzanne McClelland." Artforum, Feb. 1992.
Rubell, Jennifer. "Suzanne McClelland," interview in exhibition catalogue. Jason Rubell Gallery, Palm Beach, 1992.
Saltz, Jerry. "Let It Rain, Suzanne McClelland's Doors of Perception," catalogue essay. Jason Rubell Gallery,
Palm Beach, 1992.
Wolff, Millie, "Suzanne McClelland.” Palm Beach Today, Feb. 1, 1992.
Cameron, Dan. "The Changing Tide.” Art & Auction, Jan. 1992.
1990 Schwabsky, Barry. "Suzanne McClelland." Arts Magazine, Dec. (1990).
Mahoney, Robert. Comments on "Nomos," catalogue essay. Penine Hart Gallery, New York, 1990.
Smith, Roberta. "Art in Review: Suzanne McClelland." New York Times, Oct. 18,1990: Arts section.
Hirsch, Faye. "Suzanne McClelland," catalogue essay. Stephanie Theodore Gallery, New York, 1990.
Saltz, Jerry. "Cries and Whispers." Arts Magazine, Summer 1990.
Larson, Kay. "Foreign Intrigue." New York Magazine, May 20, 1990.
Kaneda, Shirley. "Paintings and Its Others in the Realm of the Feminine." Arts Magazine, Summer 1990.
Yau John. “FLEE ADVICE.” Collectif Generation, 1990.
AWARDS
Anonymous Was a Woman Award
Nancy Graves Grant for Visual Arts
AXA Artist Award
Visual Harlem Artist Exchange, Jacob Lawrence Foundation
Pollack Krasner Grant
Skowhegan School of Painting and Sculpture, Skowhegan, ME
P.S.1, Clocktower Studio Program, Artist Residency
PUBLIC COLLECTIONS
Albertina Museum, Vienna, Austria
Albright Knox Art Gallery, Buffalo, NY
Art Foundation Mallorca Collection, Mallorca, Spain
Brooklyn Museum, Brooklyn, NY
Detroit Institute of Fine Art, Detroit, MI
Fisher Landau Center For Art, Long Island City, NY
Grunwald Center for Graphic Arts, UCLA Hammer Museum, Los Angeles, CA
Henry Art Gallery, University of Washington, Seattle, WA
The Margulies Collection, Miami, FL
Mead Museum of Art, Amhers College, Amherst, MA
Metropolitan Museum of Art, New York, NY
Miami Art Museum, Miami, FL
Museum of Art, Washington State University, Pullman, WA
Museum of Contemporary Art San Diego, San Diego, CA
Museum of Modern Art, New York, NY
Neuberger Museum of Art, Purchase College, Purchase, NY
New York Public Library Print Collection, New York, NY
Norton Museum of Art, West Palm Beach, FL
Orlando Museum of Art, Orlando, FL
RISD Museum of Art, Providence, RI
The Rubell Family Collection
Saatchi Colleciton, London, UK
St. Louis Art Museum, St. Louis, MO
University of Michigan Museum of Art, Ann Arbor, MI
University of Virginia Art Museum, Charlottesville, VA
Walker Art Center, Minneapolis, MN
Whitney Museum of American Art, New York, NY
Williams College Museum of Art, Williamstown, MA
Yale University Art Gallery, Yale University, New Haven, CT
The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ